This week, I am going to write two Listening Logs, this first one being dedicated to the great music I picked up on Bandcamp Friday in recent months. On the first Friday of each month, Bandcamp has been waiving their revenue share to help artists during the COVID pandemic. Each month, I make sure to purchase music from artists I admire, many of whom I am fortunate to call friends, colleagues, and teachers. For this Listening Log entry, I will share some of my favorite Bandcamp Friday finds.
She Moves Just Like the River — Henry Godfrey
Henry Godfrey is a near-and-dear person in my life, in addition to being a frequent musical collaborator. He released the LP version of his Love Finds Everyone on a Bandcamp Friday. I am fascinated by the concept of having both a studio and live version of the same piece. On She Moves Just Like the River, Henry takes us on a journey through lush orchestrations, backdrops for compelling solos, and driving rhythmic pulses.
Mr. Con Edisons Conspiracy — Takuma Matsui
Takuma Matsui is one of my good friends in the Berklee Jazz Composition program. In his first EP 47|48, Takuma does an incredible job synthesizing all the rich musical traditions he has studied into these heartfelt, inventive, lyrical pieces. During this unprecedented time in history, the fourth track entitled Mr. Con Edisons Conspiracy speaks to me.
Bebopper — Frank Carlberg & Ran Blake
Gray Moon is an exciting album that, while containing familiar songs, adds a new dimension to them. I particularly enjoyed Bebopper for its playfulness, the seamless interplay between Frank Carlberg and Ran Blake, and their refreshing take on and expansion of the bebop tradition.
Abracadabras — Lolivone De La Rosa
Lolivone De La Rosa is another Berklee friend who is putting out wonderful music. In her single Abracadabras, she showcases her prowess on the guitar and her incredibly expressive voice — the first time she has recorded herself singing. I look forward to hearing her continue to explore her voice as a guitarist and vocalist.
Call It — Jacob Moore
Jacob Moore and I met during the Boysie Lowery Living Jazz Residency in 2018. Much like my EP The New Groove, Jacob released his project The Trap somewhat impulsively as a testament to being able to create meaningful music in a short amount of time with the relatively limited equipment available at home. While Jacob refers to the project as “really janky,” I hear a compelling artistic voice that drew me in from the first track, Call It, immediately. These songs really speak to this moment in American history.